26.11.09 :: miroslaw balka's 'how it is' :: unnerving

I've just spent a few minutes inside the void of Miroslaw Balka's How It Is at Tate Modern. Physically massive and obviously a feat of engineering, the concept is deceptively simple - a big, black lined tank that you walk into. It's amazing how effectively the structure cuts out the light and even the few people ignoring the signs whose faces were illuminated by their mobile phone screens just proved how the void seems to eat light.

Once the curator had kindly asked people to turn off their phones, the primal nature of the darkness became obvious. We are so used to partial darkness and our eyes adjusting to be able to see something it is truly unnerving to face genuine pitch black and literally not be able to see one's hand in front of one's face. With visual stimuli removed, you listen for every sound and imagination starts to take control - are there steps? Doors? Is that a wall or another visitor? What could happen in a space like this? What has happened in the darkest parts of our collective imagination or history?

Turning back toward the entrance reveals much and re-entering has far less impact than your first tentative steps into the unknown. Take the time to explore the space physically and mentally to fully experience this work.

You can get a taste online but if you are in London I'd really recommend a visit to the real thing.

one word review :: unnerving

22.11.09 :: berlin :: stunning

I've just watched the second episode of Matt Frei's fantastic BBC documentary series Berlin on iPlayer. Focusing on the City's architecture, it's a wonderful piece of television about a fascinating city.

Frei's visit to the awe-inpsiring and recently closed Templehof airport brought back memories of my only visit to the city in 2002. I remember asking myself the same question he poses - "Am I allowed (or will I allow my self) to like this building knowing who built it and why?"

It's definitely inspired me to visit Berlin again.

14.11.09 :: peace house benefit :: eclectic

Peace House, home of Housmans Bookshop and Peace News, celebrated 50 years at 5 Caledonian Road with an eclectic mix of music politics and comedy at the Cross Kings last night.

We arrived in time to catch most of Leon Rosselson’s set upstairs, which was followed by a slightly stumbling presentation from Dave Morris and Helen Steel of London Greenpeace (a former Peace House tenant organisation and the only one of the original greenpeace groups not to take part in the 1977 merger which created the environmental behemoth that is “imperial greenpeace”).

London Greenpeace produced the original “what’s wrong with McDonalds?” leaflet which led to Dave and Helen becoming defendants in the McLibel case (the longest trial in British legal history – which was the subject of a film by Franny Armstrong back in the days before her making The Age of Stupid and being rescued by Boris).

My partner has an almost physical aversion to Seize the Day (and I’ve seen them enough times not to mind missing them) so we headed downstairs where the wonderful Robin Ince was hosting the comedy. I can’t remember all the acts, but two bits stuck in the memory.

First was the revelation that following complaints about an article by Melanie Phillips the PCC made the Orwellian ruling that when Ms Phillips uses the phrase “the fact is”, her readers would know that what followed was “comment rather than unarguable fact”.

And second was Andrew O’Neill’s attempts to reclaim the phrase, “I’m not being racist, but…” from those who use it to preface a racist remark by using it and then not being racist. As in “I’m not being racist, but is that the train to Reading.” (I’m not sure that re-telling jokes on a blog the morning after conveys the humour – but Andrew is definitely worth catching.)

When the comedy wound up we caught the end of the Freylekh Klezmer Dance Band (with my old CND colleague Ilana Cravitz on fiddle), before a bus home to catch The Thick of It via the magic of iPlayer.

onewordreview :: eclectic

31.10.09 :: an education :: engaging

This is one of those films where I wished I hadn't seen/read/heard so many trailers, interviews and reviews. While the buzz around this film is one of the main reasons I went to see it, there was a sense of waiting for the bits you knew were coming which slightly spoiled my enjoyment of Nick Hornby's excellent adaptation of Lynn Barber's memoir.


Definitely a case of truth being stranger than fiction, the happy ending and glamourous styling of Jenny's story often hides the much darker tale of David, her older lover. At the few points where the undercurrent rises to the top I was reminded of Paul Andrew Williams's London To Brighton which would make an excellent double bill with An Education.


Some clever camera work (particlularly in Paris) and excellent performances (especially from Carey Mulligan - who I now realise I recognised from 2006 political fantasy The Amazing Mrs Pritchard) give a real sense of an idealised 60's London. The grim undercurrents of sexism, racism and exploitation prevent this from becoming the feel-good movie one fears it would have been had it been pure fiction rather than a dramatisation.


onewordreview :: engaging